Antiques & Good Conversation
This exhibition of 15 framed giclée prints tells a story that denotes the chaos in our lives and an eventual journey to serenity. The artifacts and people depicted in the photographs represent moments in the daily life and ritual layers of Japanese society.
During a trip to Japan in May 2002, I discovered the value the Japanese place in both antiques and good conversation. The phrase was written on a piece of driftwood plank propped outside a small shop in Hiroshima. Each time I walked past, the heavy metal store shutter was pulled two thirds down, just far enough to keep me out. Perhaps the owner was busy, out, or already engaged in conversation?
I found that everything and everyone in Japan was keeping me just at arm’s reach. I felt I had to walk through several ‘gates’ - both real and symbolic, peel away layers, gradually acclimatizing as I waited be invited to enter sacred and private space.
‘Antiques & Good Conversation’ is an exhibition about contrasts; new and old, innocence and wisdom, agitation and tranquility, monotones and vivid colour. It begins by inviting you to walk along an ancient stone path, then gradually leads you into the bustle of a city, and finally allows you to rest in the serenity of a spiritual sanctuary.
I found that everything and everyone in Japan was keeping me just at arm’s reach. I felt I had to walk through several ‘gates’ - both real and symbolic, peel away layers, gradually acclimatizing as I waited be invited to enter sacred and private space.
‘Antiques & Good Conversation’ is an exhibition about contrasts; new and old, innocence and wisdom, agitation and tranquility, monotones and vivid colour. It begins by inviting you to walk along an ancient stone path, then gradually leads you into the bustle of a city, and finally allows you to rest in the serenity of a spiritual sanctuary.